Emotion in T.S. Eliots The Love Song of J. Alfred Prufrock Essay examp

Emotion in T.S. Eliots The Love Song of J. Alfred PrufrockIn his poem The Love Song of J. Alfred Prufrock, T.S. Eliot subtly conveys a huge smorgasbord of Prufrocks emotions he creates pathos for the speaker by employing the accusative correlative, which Eliot defines as a set of objects, a situation, a chain of events that shall be the pattern of that busy emotion (Hamlet and His Problems). The first stanza introduces Prufrocks isolation, as epitomized metaphorically by half-deserted streets (4) while empty streets imply solitude, Eliots diction emphasize Prufrock having been bedraggled by the other half needed for a relationship or an argu custodyt (8). Hoping for a companion, Prufrock speaks to the reader when saying, Let us go then, you and I (1), as he needs to address his lament to an audience conscious of the readers curiosity regarding the overwhelming question, (10) Prufrock answers, Oh, do not ask, What is it? (11). (The wantly explanation for Eliots at odds(predica te) use of you in this stanza is Prufrock probably meaning you as To lead one, as he refers to himself and not the reader in line 10.) Eliot continues the metaphor of Prufrocks lonesomeness by anthropomorphizing the yellow fog and smoke (15, 16) to signify Prufrock, who interacts not with people, but only the environment in the third, fourth, and fifth stanzas. Clearly it is Prufrock who rubs his muzzle on the window-panes (15, 16), passively lets fall upon his back the soot that falls from chimneys (19), slides along the street (24), and performs the actions also described also, the opacity of fog and smoke symbolizes the difficulty with which readers perceive Prufrocks true up character, further separating ... ...ers/you make of them, (37-9) Prufrock defines his misfortune by women, just as King Lear, also called fool, attributes his madness to women (his daughters). Reminiscent of Hamlet and Lear asking for the procreation of men like themselves to end , Prufrock thus speaks fo r all people like himself when he sentences those limited by inaction to death. Most likely intentional, the entire poem target be considered a metaphysical conceit designed to create pathos Eliot uses the extended metaphor of Prufrock not acting, except mentally, and thus dying alone as the objective correlative for Prufrocks anxiety of choice and consequent despair.Work CitedEliot, T.S.. The Love Song of J. Alfred Prufrock. The Norton Anthology of English Literature. Ed. M.H. Abrams. New York Norton, 1996.Pinion, F. B. A T.S. Eliot Companion. Totowa Barnes & Noble Books, 1986. Emotion in T.S. Eliots The Love Song of J. Alfred Prufrock Essay exampEmotion in T.S. Eliots The Love Song of J. Alfred PrufrockIn his poem The Love Song of J. Alfred Prufrock, T.S. Eliot subtly conveys a wide variety of Prufrocks emotions he creates pathos for the speaker by employing the objective correlative, which Eliot defines as a set of objects, a situation, a chain of events that sh all be the formula of that particular emotion (Hamlet and His Problems). The first stanza introduces Prufrocks isolation, as epitomized metaphorically by half-deserted streets (4) while empty streets imply solitude, Eliots diction emphasize Prufrock having been abandoned by the other half needed for a relationship or an argument (8). Hoping for a companion, Prufrock speaks to the reader when saying, Let us go then, you and I (1), as he needs to address his lament to an audience conscious of the readers curiosity regarding the overwhelming question, (10) Prufrock answers, Oh, do not ask, What is it? (11). (The likely explanation for Eliots inconsistent use of you in this stanza is Prufrock probably meaning you as To lead one, as he refers to himself and not the reader in line 10.) Eliot continues the metaphor of Prufrocks lonesomeness by anthropomorphizing the yellow fog and smoke (15, 16) to signify Prufrock, who interacts not with people, but only the environment in the third, four th, and fifth stanzas. Clearly it is Prufrock who rubs his muzzle on the window-panes (15, 16), passively lets fall upon his back the soot that falls from chimneys (19), slides along the street (24), and performs the actions also described also, the opacity of fog and smoke symbolizes the difficulty with which readers perceive Prufrocks true character, further separating ... ...ers/you make of them, (37-9) Prufrock defines his misfortune by women, just as King Lear, also called fool, attributes his madness to women (his daughters). Reminiscent of Hamlet and Lear asking for the procreation of men like themselves to end , Prufrock thus speaks for all people like himself when he sentences those limited by inaction to death. Most likely intentional, the entire poem can be considered a metaphysical conceit designed to create pathos Eliot uses the extended metaphor of Prufrock not acting, except mentally, and thus dying alone as the objective correlative for Prufrocks anxiety of choice a nd consequent despair.Work CitedEliot, T.S.. The Love Song of J. Alfred Prufrock. The Norton Anthology of English Literature. Ed. M.H. Abrams. New York Norton, 1996.Pinion, F. B. A T.S. Eliot Companion. Totowa Barnes & Noble Books, 1986.